“Sendo RoCoLo especializado em estabelecer ligações entre as “raízes humanas”, foi desenvolvendo ao longo dos anos mecanismos diversos de se conectar de diferentes formas com as pessoas, inventando e reinventando muitas e diferentes formas de estabelecer essas ligações. Tendo como ponto de partida que nos dias que correm todas as pessoas trazem consigo um telemóvel …
Internet Day na UA IMAGINARY NETSCAPE | 2017 Filipe Lopes http://www.filipelopes.net/selectedWorks/imaginary.html
Formas gráficas de promover a improvisação/criação musical com pessoas (sejam músicos ou público) Filipe Lopes DO DESENHO E DO SOM | 2013 http://www.filipelopes.net/Software/desenhoSom.html ÕDAIKO | 2009 http://www.filipelopes.net/Software/odaiko.html
University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-16-2014 Smartphones and Face-to-Face Interactions: Extending Goffman to 21st Century Conversation Omar Bradley Ictech II https://scholarworks.uno.edu/cgi/viewcontent.cgi?referer=https://www.google.pt/&httpsredir=1&article=2871&context=td
echobo : A Mobile Music Instrument Designed for Audience To Play Sang Won Lee Computer Science Engineering University of Michigan 2260 Hayward Ave Ann Arbor, MI 48109-2121 snaglee@umich.edu Jason Freeman Center for Music Technology Georgia Institute of Technology 840 McMillan Street Atlanta, GA 30332 USA jason.freeman@gatech.edu http://nime.org/proceedings/2013/nime2013_291.pdf
Painterly Interfaces for Audiovisual Performance Golan Levin B.S. Art and Design Massachusetts Institute of Technology May 1994 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Master of Science in Media Arts and Sciences at the Massachusetts Institute of Technology September …
The audience as co-creators—a challenge for composers of interactive music https://phys.org/news/2012-11-audience-co-creatorsa-interactive-music.html
LARGE AUDIENCE PARTICIPATION, TECHNOLOGY, AND ORCHESTRAL PERFORMANCE Jason Freeman Georgia Institute of Technology Music Department http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.572.6966&rep=rep1&type=pdf
AUDIENCE-PARTICIPATION TECHNIQUES BASED ON SOCIAL MOBILE COMPUTING Jieun Oh Ge Wang Center for Computer Research in Music and Acoustics (CCRMA) Stanford University https://ccrma.stanford.edu/~jieun5/publications/2011-icmc-audience.pdf
Using digital technology to enable new forms of audience participation during rock music performances by Ryan Maksymic A thesis submitted to OCAD University in partial fulfillment of the requirements for the degree of Master of Design in Digital Futures Toronto, Ontario, Canada, April 2014 http://openresearch.ocadu.ca/id/eprint/219/1/Maksymic_Thesis.pdf